Film Review: Sucker Punch

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Sucker Punch (2011; Directed by Zack Snyder)

Sucker Punch, in the evident impetus of its conception, puts me in mind of King Kong. Merian Cooper decided to incorporate a romance into his visionary spectacle of the exotic after criticism of the lack of that element in his previous films. Zack Snyder, often pigeonholed for encoding an underlying chauvinism into his visionary spectacles of CG-age stark morality (300 and Watchmen), decided to represent a woman’s perspective in his latest hyper-stylish offering. But Cooper could not but echo the fundamental conservative democratic assumptions that defined his worldview, destroying his now-beloved giant ape atop a towering symbol of the triumph of arrogant industrial hubris over wild, primitive nature. And Snyder, though he seeks to render a species of modern feminism in iconic cinematic terms, winds up reinforcing the very patriarchal structures he seeks to viciously demolish. Or… does…

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